Filthy Birthday to John Waters!

John Waters c.1969

Guerrilla filmmaker; trash auteur; social commenter and hilarious purveyor of outrageousness, Baltimore's favorite trashy son John Waters turns 67 today. Waters is single-handledly responsible for the career of plus-sized drag impresario Divine in his underground films of the late 60's and early 70's, while continuing to push the envelope after having gone more 'mainstream.' in the 80's and 90's.

Like many Waters' devotees, I first discovered his work in college in the 80's and his infamous (and career-making) Pink Flamingos. I remember renting it over Christmas break and watching it while my then teen-aged sister was baking cookies (even then, she was Little Betty Crocker). I kept telling her "Stay in the kitchen..." more than a few times. I haven't seen since, but have seen just about every other Waters' film available on VHS, DVD or on line. Some are very good (Cry-Baby; Serial Mom); some are fair to middling (Pecker; Cecil B. Demented) and one or two are downright terrible (A Dirty Shame). 

Regular readers know that I was lucky enough to play Edna Turblad (a character created by Waters and Divine) in a rather tumultuous though ultimately successful production of the musical version of Hairspray last year. If pressed to name my favorite Waters' movie, I'd have to split into three:

Of his early films, 1977's Desperate Living is probably the most insanely brilliant films of Waters' early works. He manages to create his personal version of Oz (he admits that The Wizard of Oz is the most influential film he's seen) in Mortville, a cardboard kingdom of criminals and perverts ruled by an insane Queen. One of Waters' few earlier films that did not feature Divine,  Desperate Living is certainly among  the most entertaining of his underground films. The trailer below is decidedly NSFW:

After 1988's Hairspray opened Waters to the mainstream, he made two more movies I absolutely adore.

1990's Cry-Baby is Waters' Rock-a-Billy musical parody starring a very young Johnny Depp in the title role and former porn-star Traci Lords in a Romeo & Juliet parody set in 1950's Baltimore. There are some amazing performances from  Polly Bergen; Amy Locane; Susan Tyrrell; Iggy Pop; Ricki Lake; Troy Donahue and even Willem Dafoe. That's not mention one of the best prison-set musical numbers since "Jailhouse Rock":

Probably my favorite Waters' film, Serial Mom is his 1994 parody of Suburban Perfection and sociopathology. Starring Kathleen Turner; Sam Waterston; Ricki Lake; Matthew Lillard; Traci Lords and a very unfortunate Patty Hearst, Serial Mom is Waters' first real (and only successful) exploration of filth in Surburbia:

Waters continues to write and lecture and can be seen in the documentary version of his one-man show, This Filthy World:

Happy Birthday, John!

More, anon,
Prospero

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A Break

So, after almost 5 years of writing Caliban's Revenge, I think I may have run out of things to talk about.

No, not really. But with everything that's been going on these past few weeks (Mom's health; a new relationship; etc.), I think I simply may be just too tired to write about anything.

I'm not going away. I refuse to go away. But I need a little break, I think.

I don't know how long that break will be. A few days? A few weeks? A few months? I have no idea. I just know I need to take a break. My lack of new posts in the past few days is certainly an indicator of my need for a break. 

Hopefully, I'll come back recharged and excited to blog again. Hopefully, I'll have done some work on other, long-gestating writing projects I've been putting off for too long. Hopefully, Army of the Dead will have it's KickStarter page up and running.

I love that you read my nonsense and hope you don't forget about me while I'm gone - no matter how long that is (I'm hoping not very long). Keep watching this space. I WILL be back. I promise.

To hold you over, my favorite new music video, "Head Hung Low" by Father Tiger:

More, eventually.

Brian

I'm Tired

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The Gayest; Draggiest and Hardest-Nippled Christmas Things You'll See This Week

2012 Boston Santa Speedo Run

I think that's the longest title I've ever given to a post. But it will all make sense soon (or not - how should I know if you're sane? I'm obviously not*).

First, the Gayest, Hardest-Nippled part of the post (did you ever think you see the word 'nippled' capitalized?*). Saturday was the annual Santa Speedo Run in the fine city of Boston. Thousands of hotties got together and ran a marathon in the skimpiest beachwear, underwear and holiday costumes possible. It's all for charity and looks like lots of fun and something I wouldn't mind seeing in person. They hold these SSRun events in cities all over the U.S. - hang on - BRB - Damn! No Philly.  Maybe next year (via).

Now onto the draggiest Christmas thing this week. Gender Illusionist Doo-Wop group The Supreme Fabulettes (apparently the toast of gay London) have a new song and video out, just in time for all the holiday cheer. Please enjoy the Boy-George directed "You Ruined My Xmas:" 

 

Drag is hard and I hate doing it because the costume changes suck, especially without a dresser. I do admire the performers who put up with the inconveniences because they love doing it. And I must admit to having a lot fun doing Hairspray... 

Can you tell I'm getting into the holiday spirit, finally?

More, anon.
Prospero

*Really. Who else thinks like this? Okay... maybe my sister, a little. And sweet, hilarious Mia - my 'work-niece.' A few other twisted souls on Facebook. Maybe you. I don't worry about it. Neither should you. Who are we to judge anyone, any way? Move along. Nothing more to see here. Well tonight, anyway.

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Almost All Girl Punk Bands For $400, Alex.

Who Are 'Edna and the Jailhouse Ho's?'

This should be the last post about this subject for quite a while. 

I have been very lucky to have taken part in some exceptional theatrical projects over the last (indecipherable noise) years. Sometimes, everything falls into place very neatly and easily and a show comes together and it's a success. Occasionally, it fails despite appearing to be poised for success. Sometimes, it's obviously a disaster from the first read-through and it crashes and burns like the Hindenburg. You don't invite people to see it. You don't talk about it. You don't post pictures on Facebook. 

Rarer still, are the times when what appears to be an unmitigated failure suddenly and magically comes together in an insanely short amount of time, ending up in something that is much greater than the sum of its parts. Such was the case with Hairspray. Early on, there were scheduling issues. Some bars were set to high and others too low. Roles were left un-cast. There were changes being made to things already covered, while tons of material remained uncovered. I had serious reservations. Things did not improve and I grew frustrated and I wasn't always quiet about being so and soon found many other cast-members felt the same way. And it wasn't as if there was one person in particular to blame. It just wasn't working on a whole lot of levels.

Then, something happened in the last week of rehearsal:

I have no idea how what happened with Hairspray happened. The odds seemed so stacked against it. But last Friday night, a very loud and enthusiastic full house gave us an exhilarating curtain call. And it just got better and better. The following night, we had a full-house standing ovation. And again on Sunday! It was crack for the newbies. Hell, it was crack for Uncle P. Yesterday afternoon was good, and we got a full standing O from a just slightly less-than full house. Then came last night's "off" performance. Everyone had at least two things go flunky. I had three, including a wardrobe issue (my slipper fell off); a prop issue (I had a problem hopping up onto the hot dog cart) and a lyric issue in the finale. Most of the audience still stood, though. At least I didn't get stuck in the can:

Maybe I Should Do "Dirty Blonde" Next

Today's closing matinee (and I HATE closing on a matinee) saw yet another SRO crowd. Emotions were running high. Many of the younger cast members were down after last night or tired or both. The hot tea with lemon and honey was flowing. There was a palpable frisson in the air. Clicks and flashes abounded backstage as people used their phones and cameras to document the day. Hugs and kisses and love abounding, we went to 'places' not knowing quite what to expect. What we got was pure theatre nirvana, fueled by another adoring crowd who (well, those who could - it was a Sunday matinee, afterall) rose to their feet and danced right along with us during curtain call. 

Like many actors, my theatrical career had it's start(at an early age) in Musical Theatre. One of my early ventures on stage was playing Prince Charming in a French-language version of Cindrion, complete with the Disney songs sung in French by an off-stage chorus  in the 7th Grade. Effin' crack, bitches! You never lose the taste for that particular high. I know several of you reading this know exactly what I'm talking about. We're addicts, plain and simple.I wish I had pictures from those early years. I'm very glad I have them from more recent shows.

I couldn't be happier to end this show on the high I had hoped it was going to be, long before the auditions had been announced. Below are some pictures of today's love-fest from backstage. They belong to the very talented Megan Sherrow who played Penny Pingleton. You'll quickly figure out who she is.

The World's Saddest Prostitute

"Dyn-o-mite!"

The Turnblads +1

Seaweed and Amber, Sittin in a Tree...

Wigless and Wigged Out

The 'Corniest' Smile, Ever

'Everything Floats Down Here"

"Are You Sure You Aren't Faster than a Speeding Bullet?"

"Mama, I'm a Pretty Girl!"

I am thrilled that this amazing and talented cast pulled together and delivered an exceptionally well-received show that entertained its audiences and satiated its cast's needs for validation. 

I'm tired beyond tired, but all the pain and aggravation have proven worth it. It's really nice to be wrong, sometimes.

A few weeks rest and then on to Jeffrey, whose cast will (I am happy to report), include two very talented young men from this cast; one of whom is pictured above. I'll let you guess.

More, anon.
Prospero

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"Hairspray" Act II

That's it. Tickets to the MCCC/JTMF production of Hairspray are all gone. Which means I have three more performances to go before I start Weight Watchers. I've already lost 7 lbs during hell week and last weekend's performances. I'd like to lose another 20+ before Jeffrey opens at the end of June. These pictures have helped motivate me, though I know Edna is supposed to be an "ample American," as Motormouth Maybelle says. These days, I'm looking to be a bit less ample and a lot more healthy. Anyway, here are a few more pictures (of the over 300) taken at last Sunday's matinee (copyright: Robert Terrano):

"Big Doll House"

"Hold it right there, sucker man!"

"You're Timeless to Me"

"Without Love"

"I Know Where I've Been"

"It's Hairspray!"

"Cooties"

"You Can't Stop the Beat"

"You can't stop my happiness..."

Tracy and Link - Happy at Last!

Finale

While I will be sad to say "Farewell" to 1962 Baltimore and the many friends I've made there, my feet will be very happy to never have to be jammed into those pumps again. And I'll move on to Jeffrey, reprising the first role I played (Sterling) in the very first JTMF show back in 2003. It's so strange to realize that a decade has passed since we started this amazing thing. Nine June Galas, Twelve shows and $50K+ for AIDS; Arts Education and Suicide Prevention Charities later and we're still going strong. 

Tickets for the JTMF 10th Anniversary Gala featuring Paul Rudnick's  Jeffrey are available now. If you are unable to attend, but want to help, you can always make a donation via PayPal here or contact us at JTMF@verizon.net to donate an item to our Silent Auction.

More, anon,
Prospero

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"Hairspray" Act I (or: R.I.P. Dick Clark)

John Waters based the character of Corny Collins in Hairspray on America's "Perpetual Teenager," Dick Clark. In the 50's and 60's, Clark hosted "American Bandstand" which was broadcast nationwide out of Philadelphia. He later went on to host "The $10,000 Pyramid" and in the 70's became the face of New Year's Eve as part of ABC's "Dick Clark's Rockin' New Years Eve." Clark - a respected and much-loved TV icon - passed away today age 82. I'll be dedicating my final performances in Hairspray to his memory. 

On a lighter note, here are some pictures from Act I of the MCCC/JTMF production of Hairspray.  Act II will follow tomorrow (Photos copyright Robert Terrano).

"Good Morning, Baltimore"

"The Nicest Kids in Town"

"Tracy Turnblad, where are your manners?"

"I Can Hear The Bells"

"The Madison"

"Miss Baltimore Crabs"

"Detention"

"You're Mama's Welcomin' the 60's"

"Go Mama, Go, Go, Go!"

"Run and Tell That"

"Tracy, Maybe He's Right"

"Big, Blonde and Beautiful!"

"Two-Four-Six-Eight! TV's Got to Integrate!"

And that's Act I. There are still a few tickets left for the Saturday and Sunday matinees, if you are in the area and so inclined.

More, anon.
Prospero

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A Quickie

Corny Collins: "It's Hairspray!" (click Corny's pompadour to embiggem)

I'm uploading pictures tonight, so I thought the very least I could was to give you another teaser.

Since everyone has already posted them on Facebook, I'm going to post a whole album of Hairspray pictures tomorrow. We rehearsed tonight and I'm tired and lazy and still not recovered from a rather grueling (though in the end, worth it) hell week. 

I do hope there's a picture of me riding the hot dog cart in my second costume and wig.

If you're so inclined, you can read our only local review (so far) here. The reviewer seemed to either forget or ignore JTMF but she liked the show, so I'll give her a pass. I promise to stop talking about it, soon (don't worry, Jeffrey will take it's place in a few weeks). Anyway - I'm off to finish downloading the rest of the pictures.

More, anon.

Prospero

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The Gayest Things You'll See This Week ( Probably NSFW Version)

Where's Uncle P? (click on Tracy Turnblad's wig to embiggen)

So, the first four performances are just memories. We are off tonight and most of the week (we do have a brush-up scheduled) and and by not jamming my toes into those "Cruel Shoes," my feet like they've died  and gone to Foot Heaven.

This picture was taken during curtain call, though I'm not sure at which performance. Think of it as a teaser for next week. This rather terrific cast of very attractive young folks with loads of talent, working alongside a trio of what they must think of as "Golden Oldies" (who between us have more shows under our belts than the other 29 cast members combined) has managed to become a show-family, at last. I see a young version of myself in them and I feel compelled to tell them to get out before it's too late. But would they listen? No. When it works, it's better than any artificial high there is and I'm afraid it's even more addictive than crack. Every single one of them is hooked for life, now.

Anyway, I'm being lazy (because tonight I'm just plain tired) and writing about three very different, but very gay videos I found at one of my usual haunts and thought worthy of sharing with those of you who may not have seen them.

Is This What They Mean by 'Sexting'?

First up is Jonny 'The Gay Pimp' McGovern's latest music videos for the singles, "#TOTDF" and "Man Areas" (Totally NSFW) from his album The Gayest of All Time. I've posted videos from Jonny before, and you might know him as a member of the 3-season Logo show "The Big Gay Sketch Comedy Show."  Featuring outrageously hilarious lyrics, a usually good dance beat and lots of semi-clothed men in flagrant displays of PDAs, Jonny's videos are always fun and sexy (via):

Now that's pretty gay.  But the next one is even gayer and a little naughtier (via):

This next clip is from the HBO series "Game of Thrones," based on George R.R. Martin's novel. Last week, Michael Offutt offered up (I love unintentional alliteration) his thought's on Martin's gay characters Renly and Loras and today, Towleroad posted this almost-steamy clip. You might get away with watching this one at work by saying you're just catching up on the show, but I still can't recommend it for most workplaces.

As much as I'd love to see this show, I just can't see paying for a premium channel that only has one or two shows I'd want to see. Besides, I simply don't have the time to invest in another series. Hairspray hasn't closed and I'm already working on publicity for Jeffrey, the JTMF 10th Anniversary show. I'm so glad this is the day job's slow period.

More, anon.

Prospero

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