Obsessions Will Soon Collide

Some of the Cast of Iris at the Dolby Theatre in Los Angeles

In a little less than six days, I will be sitting in the Dolby Theatre (formerly the Kodak Theatre) watching Iris, Cirque du Soleil's "journey through the world of cinema." It's been about three years since I've seen a Cirque show (the absolutely astounding Kooza, which was a return to the kind of  breathtaking feats of acrobatics that make Cirque so amazing).

If you've never seen a Cirque du Soleil show live, you should. You will never forget it. It's truly circus as theatre. For ethical reasons, they employ no animal acts, displaying feats of human dexterity only. Incorporating music; dance; song and non-traditional clowning, each Cirque show is unique, using an amazing array of sets; costumes; makeups and lighting effects to create thrilling and beautiful productions worldwide. There are currently 20 Cirque shows, both on tour and in permanent residence. Iris is the only permanent show in California. There are several permanent shows in Las Vegas, as well as one in Orlando, FL (La Nouba) and Biloxi, MS (Allegria). The shows I've seen include Saltimbanco; Allegria; Quidam; Dralion; Quidam; La Nouba; Kooza and Wintuk. I first fell in love with them when I saw the HBO version of their first U.S. tour, We Reinvent the Circus. You can often catch video performances of their older touring shows on A&E. 

With a score by prolific film composer Danny Elfman, Iris examines the history, genres and technologies of one of America's few truly original art forms. As a professed cinephile from a very young age and a professed Cirque fanatic for the last 20 years, I am honestly salivating at the thought of seeing Iris.

You can be sure I'll talking about the show again, after I get home next Sunday.

And here's the trailer for Kooza, the last Cirque show I saw (with K).



More, anon.
Prospero

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