Showing posts with label Make Up. Show all posts
Showing posts with label Make Up. Show all posts
Monday, May 16, 2011

Eyes, Hair, Mouth, Figure...



That's the amazing and hilarious playwright/actor Charles Busch as Angela Arden in Die Mommie Die!, the play I am currently directing for the James Tolin Memorial Fund's annual AIDS benefit, June 24th - 26th. Charles is a very handsome man who knows how to wield a makeup brush (and it helps that he has great bone structure).

Thankfully, I have been able to cast an equally handsome actor with great bone structure. David previously appeared as Steve in our production of The Most Fabulous Story Ever Told and I am thrilled that he agreed to play the role. Still, cheekbones aside, David isn't quite the 'petite flower' that Mr. Busch is. 6' 1" tall, broad-shouldered with an athletic build and size 12 feet, costuming him is going to be a challenge, to say the least.

I've been Googling "Transvestite Supplies;" "Transvestite Clothing" and "Transvestite Shoes" with limited success. When I played Arnold in Torch Song Trilogy, our producer found a Trans Clothing store on EBay, where she was able to procure a pair of black patent pumps with 3" heels for me. I'm hoping she'll be able to do the same for him. I'm planning a trip to M*A*C counter at Macy's for cosmetics and our costumer is going to do her best to find clothes in her stock, but finding late-60's period pieces in his size is going to be a challenge, at best.

So I am turning to you, dear readers, for help. If you know of any Trans clothing suppliers in the Philadelphia/New York/New Jersey area, please let me know. I'll even give you a "Special Thanks" nod in our program. You'll be helping a great cause, too.

Here are some clips from the 2003 movie version starring Busch; Natasha Lyonne; Jason Priestley; Frances Conroy and Philip Baker Hall:



PS - 10 points if you know the reference in this post's Musical Theatre-inspired title...

More, anon.
Prospero
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Sunday, February 6, 2011

TV Review: Face Off


I hardly qualify as a "reality" TV fan. In fact, I know I've ranted about it here, more than once. I think shows like "The Bachelor/The Bachelorette;" "Survivor" and (certainly the worst offender of all time) "The Jersey Shore" are reprehensible and signs that Western Civilization as we know it is on its last legs. All that having been said, I do actually watch a few of the competition shows, mostly on The Food Network. I love the challenges given in the form of bizarre ingredients to the chefs on "Chopped" and find myself fascinated by the people on "Worst Cooks in America," mostly because I have been cooking since a rather young age and thanks to my mother and paternal grandmother, consider myself quite handy in the kitchen and am actually appalled by the lack of basic skills displayed by the contestants.

Now, Syfy (I still can't get used to that name) has entered the fray with "Face Off," a competition show for special effects makeup artists. Many years ago, Uncle P considered entering the field of SFX Makeup. My fascination with movie makeup started as child with the Universal Monster Classics. I grew up in awe of folks like Bud Westmore, Charles Pierce, Rick Baker and the legendary Tom Savini. All through college, I was the go-to guy for special makeups in shows like The Apple Tree; RUR and Ladies in Retirement. I did an independent study in Prosthetic Makeup (which required an excruciatingly difficult Anatomy class) and actually thought I might have a career in the field. Sadly, my sculptural skills were lacking and while I could draw a fairly decent representation of the effect I was going for and had (and still do have) some mad skills with a makeup brush, my hands just couldn't recreate in clay what they were able to draw in charcoal. Still, if I'm in or directing a a show which requires painted makeup effects, I'm the guy who ends up doing them. And that's OK.

So, I must admit admit to being quite jealous of the contestants on "Face Off." All of them have been working as professional FX artists on independent and/or major films and have some mad skills of their own, though a few are obviously more skilled and talented than the others. I've seen the first two episodes so far and have already decided on my favorites. Each episode features an Immunity Challenge and a Spotlight Challenge. The winner of the first challenge gets an automatic pass in the Spotlight Challenge, no matter how good or bad his or her work is. In the first episode, I immediately found myself disliking the lazy and undeservedly cocky Frank, who seems to want to do as little as possible and almost actually forfeited the challenge in Episode 2. Of course, I found the impossibly handsome Connor at the top of my list of favorites, along with the talented Anthony. Most of the contestants have multiple credits on IMDb; some on major films, though most on indie, straight-to-DVD schlock movies. 

The first episode's Spotlight Challenge involved turning a model into Human/Animal hybrid, while the second concerned full body painting on a nude model. Jerk Frank refused to paint his male model's front, placing a lampshade on his head to add insult to injury. Still, he survived the cut, though I don't imagine (or hope) he'll last to the end.

The Grand Prize winner will supposedly go on to a massive career in the SFX industry, though since the advent of CGI, special makeup effects aren't the booming industry they were in the 80's (yet another reason to be glad I didn't pursue that particular career path). And while it's quite easy to sit back in the comfort of my living room and judge the contestants' skills, I know it can't be easy for them to produce quality work week after week, especially given the time constraints imposed upon them. But I am very much enjoying watching them try. 

The show is ably hosted by Bud Westmore's granddaughter McKenzie and judged by three Oscar-winning Make Up Artists: Ve Neil; Glen Hetrick and Patirick Tatopuolis, and features a fourth specialty judge for each challenge. For a Fantasy/Horror/Sci-Fi geek with at least some insight into the industry, "Face Off" is a fun (if somewhat cheesy) peek inside the industry.



I hope the show continues to be the fascinating look into the creative process that it's been so far and I can't wait to see what happens when the contestants get into sculpting and molding  prosthetics. Or when the challenges (hopefully) become more subtle. Six episodes remain, though I think I have a good idea of who will win, already. "Face Off" airs Wednesdays at 10 PM Eastern on Syfy.

More, anon.
Prospero
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