How Squee Is Your Deathmetal?

BabyMetal's "Hungarian Style." What the...?!

My college freshman godson Josh has apparently developed a rather Punk style sense of late, much to the delight of his mother and myself, 80's New Wavers who spent many a 90 Cents Thursday night at City Gardens, being served Kamikazes by the future Jon Stewart and dancing the night away to Thompson Twins; early Sinead O'Connor; Oingo Boingo; Billy Idol; The Plasmatics; The Ramones; The B-52s and so many more. 

Today, Josh's mom shared a link with him on Facebook about the latest Japanese musical sensation, BabyMetal. We all know how insane Japanese pop culture is. We acknowledge and even embrace it, shaking our heads the whole time. BabyMetal somehow struck a nonsensical chord with your Uncle P, and I just loved it not only for its outrageous bizzaro-ness, but also for the earnest performances of its very entertaining trio of 14 -16 year old singers/dancers known as Su-Metal; Moametal and Yuimetal. I haven't found a video for "Hungarian Style" (though I am dying to know how a Japanese Pop/Metal trio might interpret a good old Csardas) but the trio's first big single is below. Love 'em or hate 'em, here's BabyMetal with "Gimme Chocolate!":

How adorable was that? Of course, one hilarious commenter on Jezebel said: "Somewhere in Norway there is a metalhead in corpse paint standing in a forest crying tears of blood.” Yes. And somewhere in southeastern PA, a weird, middle-aged gay man is taking (and hopefully sharing) great joy in the absurdity that is BabyMetal. Of course, this is hardly the first time we've witnessed adorable gals shrieking to the strains of electric guitars gone mad. Remember last season's "AGT" contestant Aaralynn and her lovely little ditty "Zombie Skin?" I sure do:

They're so sweet at that age...

More, anon.
Prospero

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The Gayest Things You'll See This Week

Openly Gay Rapper Matt Palmer

While I had heard the name Pharrell Williams, the only thing I really knew about him was the ridiculous hat he wore to the Grammys. I also had not seen Despicable Me 2, so it wasn't until the Oscars earlier this week that I was finally able to put a face to the singer of an Academy Award nominated song I'd most certainly heard, but never connected to the singer or the movie. Got that?

 Papa Paris - which I must assume is some sort of International Gay Assembly, has taken the song and made it very, very gay in a video promoting an event coming up on March 15th... I wish I could remember where I first found this. It (and the following clip) may be NSFW. Otters, Cubs and other Bear fans should enjoy:

Not hot enough for you? Openly gay R&B artist Matt Palmer's latest is about desire, art and damn... I wish someone would break through a wall to kiss me! I hope you like "Teardrops" as much as I did (via):

While I honestly look forward when society stops quantifying people and things as 'gay,' I also hope that my fellow LGBTs will still be able to identify themselves however they prefer to, without judgement or hate.

More, anon.

Prospero

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The Most Egregious Thing You'll See This Week

I was a sophomore in High School when Annie made it's Broadway debut (look it up and do the math). The comic-strip on which the musical was based debuted in 1933 and was still in syndication when the musical first arrived on the Great White Way. It's ubiquitous anthem "Tomorrow" is one the late 20th Century's most recognizable songs and without it, we wouldn't have Sarah Jessica Parker.  The show has had two revivals, one in 1997 and another in 2012. It was made into a not terrible movie in 1982, starring a local gal with whom my mother shared 1 degree of separation, Aileen Quinn (Mom worked with Aileen's mother back in her Playground Monitor days). Carol Burnett and Tim Curry were the villains in director John Huston's fairly faithful version.

News of a new version slated to star Willa Smith arose about three years ago. Last year it was announced that Smith was out, replaced by Beasts of the Southern Wild Oscar-nominee Quvenzhané Wallis.All seemed well and good until we found out that Cameron Diaz (Bad Teacher) and Jaimie Foxx (Ray) were slated to play Miss Hannigan and the updated version of Daddy Warbucks, Benjamin Stacks (get it? -- ugh!). Okay. Fine. Maybe an update is in order. Urban orphans are certainly VERY different today from those of the Great Depression. I have no problem with making older works relevant to modern audiences. I've set both Much Ado About Nothing and Romeo and Juliet in the 20th Century. A timeless story is just that, right?

Wrong.

Look at this trailer for the 2014 Annie and tell me it doesn't make you want to pull your hair out by the roots.

UGH! It's everything I hate about the treacly original show, combined with every unoriginal thought put to paper by modern, corporate filmmakers. Directed by Will Gluck (best known for teen sex comedies like Easy A), this shameless POS is a perfect example of everything wrong with Hollywood and the U.S. film industry today. The trailer makes it clear that this movie will undoubtedly be the miserable flop that it is destined (and deserves) to be.

More, anon.

Prospero

PS - A special thanks to my friend Sally, who first shared that clip.

You have read this article Annie / Bad / Bad Ideas / Crap / Movies / Musicals / Remakes / Trailers with the title March 2014. You can bookmark this page URL https://tammycross.blogspot.com/2014/03/the-most-egregious-thing-you-see-this.html. Thanks!

A Day Late and a Dollar Short: An Oscars Post-Mortem

Nipple with a Z

I didn't get to the movies last year nearly as much as I wanted and usually do. A lot of that had to do with Mom's declining health and passing. Much of it had to do with the fact that there was very little to get excited about, this year. The only Best Picture nominee I saw was Gravity, and while it was the best movie Uncle P saw all year, that's not saying much. And honestly, I had little interest in seeing the other nominees. That's not saying they weren't excellent films, but I don't always want a life-lesson when I see a movie. I just want to be transported from reality for 90 to 120 minutes, forgetting about the problems of the real world for just a little while. Of course, the really great movies, IMHO, are the ones that can do both. Pan's Labyrinth springs to mind. I'm sure that 12 Years a Slave is a very good film. I just don't want to spend two hours watching another person suffer.

Of course, most people watching the Oscars feel the same way. It isn't about who or what wins or why. It's about the accompanying sideshow. Who wore or said or did what? What outrageous thing happened that's trending on Twitter. Travolta said what? Did Ellen just call Liza a tranny? Are Liza's nips really that huge? Did you see Kim Novak's face? Ellen ordered pizza? How wacky! 

And in what is both the funniest and saddest moment of this year's Overblown Ego-fest, Scientologist and alleged masseur molester John Travolta forever cemented his 'Oscars Fail' when he introduced Broadway star Idina Menzel as "Adele Dazeem." 

Is it any wonder poor Ms Menzel botched her performance of a song every little girl (and some big girls and boys) knows by heart after listening to the Frozen soundtrack for the 12,367th time? No pressure there, eh? Pink, however, managed to not only show up in a gorgeous red-sequined gown that was deliberately reminiscent of Dorothy's ruby slippers, but then fearlessly took on an iconic song which she managed to own! Brava!

Then there's the obsession with the celebrities' fashions. First, why didn't Lorna Luft tell her sister to wear a bra? Everyone else looked nice, I suppose. I wondered if Cate Blanchet's dress was designed by Tesla, though I thought Idina Menzel, Lupita Nyong'o and Camila Alves looked particularly stunning. Jared Leto's hair bothered some folks I know. I was just pleased that he finally acknowledged all the people living with and who have died from AIDS, unlike co-star Matthew McConaughey, who rambled on like the weirdo he appears to be. No one was surprised by Gravity grabbing all the technical awards, or by Frozen winning both awards for which it was nominated (I must admit. "Let It Go" has become a personal anthem, of late). 

Mostly, as for the past too many years, there wasn't a single surprise or upset. I didn't do a predictions post this year, but I should have. We all would have won our office pools had I done so. When the Oscars are that predictable, it's time to stop watching. 

Though there were a few things I liked:

Maybe I'm just too old and jaded to care anymore. As a life-long movie lover, that makes me kind of sad...

More, anon.

Prospero

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